It’s been a while since I saw anything inspiring enough to interrupt my current crazy life, but this short film is too awesome to skip a post. And this is something else. Beautiful art, fabulous story.
I ain’t promising I’ll be more regular than the occasional dip in here, but take the 4:05 minutes and watch.
Don’t get me wrong. I loved the movie MOANA so much I saw it twice in theaters, and I will own the Blu-ray version as soon as I can get my hands on it. That said, Honest Trailers is not wrong, as usual.
Stay all the way to the end. As with other movies, there’s a pay-off that’s spit-take worthy. Trust me on this. Swallow first.
Hair is a 1979 musical war comedy-drama film adaptation of the 1968 Broadway musical of the same name about a Vietnam War draftee who meets and befriends a tribe of long-haired hippies on his way to the army induction center. The hippies introduce him to their environment of cannabis, LSD, unorthodox relationships and draft dodging.
I was a sophomore in high school, and working on my school, newspaper when the movie came out. I wrote a review for the paper, which I have around here somewhere and may add later, if I feel like it.
My father, who had seen the musical onstage with the original cast, had the music on reel to reel tape, and it was a regular request in our house.
When the movie came out, I was excited to see it for the first time. (Nudity wasn’t a thing for kids then or now, really.)
Until this scene came onscreen, I was all about listening to the music and seeing how it played out in real life.
Now, here’s the thing. Dad used to take us to airshows when we were kids. We would see the old WWII planes as well as more modern military craft. After the movie, I wouldn’t go near the C-130s. I couldn’t shake this scene, no matter what I tried.
It is virtually impossible for me to see these airplanes and not see Arlington National Cemetery on the other side.
This song has popped onto my Pandora feed a couple of times since I added HAIR to the playlist for my Modern Musicals channel.
This is the one and only repeat video, because I just couldn’t resist. Now with new and improved second link!
Viral video responses to real world events. They’re a thing. And particularly appropriate, given last night’s Alberta Clipper in the DC region. Schools delayed or closed over the equivalent of two inches of snow, because we were too busy preparing for #SnOMG!, the 2016 edition.
Honestly, you’d think people would remember that this is what happens when El Niño is active, but no. Not so much.
So here’s today’s installment, viewed over 14 million times. Accept no substitutions.
Bread and Milk
But wait! There’s more!
Bread and Milk – Part 2
Now go forth and conquer the grocery store. Hurry. Before it’s too late!
It’s so easy to get distracted by the things in life, just in general. As I’ve gotten older, it seems there’s some new thing to deal with every day, and some new reason to move away from established habits. I’ve let this blog slide because of that, but today’s Twofer Tuesday selections come in direct relationship to the discussion of #YesAllWomen, #NotAllMen and #AllMenCan, the three hashtags accumulating their current fifteen minutes of fame.
I would like to think that the discussion will outlast the next few weeks, and that we will continue to explore our views of sexuality and violence as they relate to gender and equality, but I think Ingrid Michaelson got there first.
I don’t even remember how I got turned on to the first of these videos. I may have mentioned before that when I was a kid and MTV still played music (a statement that dates me instantly) I watched everything, and Robert Palmer’s “Simply Irresistible” appeared in heavy rotation back then. I disliked the video, even as the music caught my attention. I’ve included Palmer’s original for reference, so you can see shot for shot, how well the director pulled this off.
Now that the distraction has become an extended discussion about the foundations of communication between men and women, this seems most fitting of the videos I’ve collected in my playlist, so I’m presenting it to you for further comment.
It’s likely that there aren’t a lot of people today who remember the noise and furor surrounding the publication of Playgirl magazine, the first porn magazine directed at and for women. Reading the Wikipedia page tells you nothing about the handwaving that surrounded the publication. Chippendales, with a sordid history of violence, bankruptcy and legal issues. Objectification of men just doesn’t happen all that often, so when videos like this one come along, they’re eye openers.
(Here’s Robert Palmer’s original, for reference.)
Now the thing about YouTube is, if you watch one video, you’re often presented with similar videos to watch that follow up on the subject matter, the artist, or the action in the video. So I watched this follow-up and liked it a lot, because it’s much more real than the first video. It speaks volumes about the difference between seeing someone as a whole person and seeing only what you want to see. It’s sad that people don’t check the entire package before buying for the pretty wrapping outside.
I’ll note that the first of Michaelson’s videos has reached viral status. The second has under 150k hits. That’s a shame but not a surprise.
A few months ago, while exploring Time-Based Media options for class, I came across these videos produced by DeFrees Productions. generated with a couple of [Sound and Video warning] GoPro cameras and a LOT of time on the road, Brian DeFrees created these videos from around 200,000 images.
I’ve wanted to do something like this for years, but from inside the car. Been pricing out GoPro cameras, thinking that might be the way to go. I dunno, but these are awesome, particularly since Brian hit a lot of the highlights I’ve seen.
Roadtrips were a staple of my family life from the time I was around 8 years old until I settled in my current area. I’ve started taking them again because I miss travel and because for me it’s much more about the journey than the destination. I like the concept of camper travel (never did it as a kid – we were all about car camping then) but the cost of gas makes me think it’s not practical. Maybe if I could get someone to back me for it…
Well, while not precisely history, there’s a lot of history behind the sights and sites Brian visited.
Having just completed a class in Time-Based Media, I have a much better idea of how this video was constructed, but the mechanics aren’t the point. Watch how women are represented in art as we slip quickly through five centuries of artistic representation. Notice how often the woman’s eyes are downcast, and notice how shape, color and texture changes.
Art is an idealized form. Even in photography, especially with the tools available through Photoshop and similar editors, truth is often elusive. These are the ideals of the eras, or the truths viewed through the lenses of their artists, most of whom were men.
This Mother’s Day, consider how often we try to reach for the ideal and wonder whose ideal that is. We don’t live in an ideal society. We live in the real world, and our connection to that reality is manipulated all the time.
If you’ve watched this video before, watch it again and consider the filters through which you view your own life.
Okay, so this is another throwback (might be that way for the whole week, at this rate), but Paula Abdul’s dance is infectious and the animation for her performance partners, The Wild Pair (originally credited as MC Skat Kat), the video employs a technique similar to Gene Kelly’s Anchors Aweigh and Invitation to the Dance.
It’s one of my favorite music videos from the ’80s, because of the animation and the dancing.
My musical tastes spring from late ’60s Motown, R&B and folk, ’70s psychedelic and classic pop & rock, and the ’80s New Wave movement. I’ve liked some of the newer stuff, but not much.
There are a few artists who transcend time and style, who produce classics that defy pigeon-holing when describing their work.
Cyndi Lauper made hits like “Girls Just Want to Have Fun” and “She Bop” popular in the clubs, and yeah, they’re fun to dance to when you’re out in a club or at a party, but they’re not substantial like these two pieces.
True Colors and Time After Time both have a smoky quality and more heart than a lot of the music that came out of the New Wave. The video shows she went there long before Lady Gaga, Katy Perry and Björk.
This video began to make the rounds in my feed shortly after the 2012 elections. I’m sorry it didn’t start to circulate before the election, but now that 2014 is on us, it’s time to revisit the subject, especially in light of Robert Reich’s new feature, Inequality for All.
If you don’t have the time or the patience to sit through a full-length documentary, here’s a summary (not directly related to the movie) that should spell it out for you.
I encourage you to watch the full-length movie, though. It’s available online through a variety of sources, including Netflix streaming, which is how I watched.
I’ve been howling about Trickle Down economic policies for decades. Here’s why.
In the movie Back to the Future, Part II, Marty McFly fast-forwards to 2015. Seemed like a long time into the future, back then.
Fast forward to today (for real) and the video below that hit YouTube on March 3. In just five days, the video has accumulated some 11 million hits. Sadly, if you visit the Wikipedia entry for the BTTF II Hoverboard, you’ll see it’s the hoax I expected it to be.
Sad? No, not really. The video gave me a smile.
Just don’t be that gullible maroon who thinks this is actual science. It’s not. It’s just movie magic.
It’s one-hit-wonder time today, with Kajagoogoo‘s Too Shy, a video I liked a great deal when I used to watch MTV (back when they showed, you know, music).
I always wondered what happened to them, because I knew there was something that happened. Limahl broke away (well, not really, according to Wikipedia), and eventually made a hit out of the theme for the movie version of The NeverEnding Story.
Ah, well. The backstory is seldom as nice a read as the art produced.
Throwback Thursday isn’t just for the original clip. Sometimes, it’s for the original clip and all the things it inspires.
The original, ground-breaking Bohemian Rhapsody by Queen was released in 1975 as part of the album A Night at the Opera. Since then, it has achieved stratospheric status as the UK’s third best-selling single of all time. The work is amazing, considering the analog nature of the recording and the process of assembly. (Click the link for a detailed description of the entire studio and post-production work that went into the final project.)
As imitation is considered the sincerest form of flattery, this song has plenty to recommend it, from Wayne’s World…
…through parodies (including the Muppets version) to mash-ups with Gershwin…
Freddie Mercury’s inspired combination of ballad, guitar solo, opera and hard rock has inspired these artists as well. Every one of these is a viral video. Dang, but I miss Freddie. Gone WAY too soon.
It’s almost time for the Oscars and it’s finally time to post these two “That’s Entertainment” style videos, produced by Robert Jones as loving tributes to dance in the movies. I think there are some key clips Robert missed in these first two takes, and he acknowledges as much in a comment on the second video:
Ive [sic] got about 250 movies/clips that involve dancing and between the two dance tributes I’ve used less than half. There are so many movies I wanted to work into this one. A video like this is very time consuming. I’d love to make another one though. It’s a lot of fun.
I sure hope he does, because I love the work he did on these two:
This brilliant music video tribute to the Doctor in all his forms is a fabulous mash-up of a-ha’s “Take On Me” video and clips in the style of the video taken from the series. I’ve been holding on to these for a while, so here’s your Twofer plus bonus tracks for today.
For reference, here’s the original video, by a-ha. You can really see how the style translates in color:
But wait! There’s more!
And I’m warning you now – swallow before you watch either of these. Yeah, they’re long, but the payoff is SOOO worth it.
There’s too many ways I could tag this. Leaving off at 12…
This video is for all my family and friends, past, present and future, for whom cancer is personal. In fact, I suspect the video is for everyone. I don’t think I know anyone…ANYONE…who hasn’t been touched by cancer, either because they have had it themselves, or because they know or knew someone who did.
It’s all about control, in a place where we have none. For all the talk of cures and prevention, there is still the simple truth that there’s a great deal we still don’t know about how our bodies change and degrade. But there are some things we can still do, to defy the changes, to take us out of ourselves. If only for a second. And that’s precisely what this project is all about.
We reveal our spirituality in our ability to rise above it all. At over 15 million hits, it’s clear that this viral video, a neat embodiment of that spiritual essence, has struck a chord.
Ordinarily, it’s Wednesday and I’d be featuring a video (or more) on the subject of dance. Not today. I almost — *almost* featured a trio of Devo songs for Twofer Tuesday, but I hesitated. Yesterday, I heard that Bob Casale, one of Devo’s founding members, died suddenly of heart failure.
This has already been a hard year, with losing Pete Seeger and Shirley Temple Black among others, but they were both in advanced years. 61 (Casale’s age) is no longer as hugely distant as it once was.
Devo’s music had a major influence on my life, from taste in music to the realization that being different isn’t a bad thing. We’re Through Being Cool could be considered an anthem for some of the counterculture who thought of Devo as inspirational music.
Their brand of nerd rock predated “Weird Al’s” career by a solid four years. He eventually featured their music styling in an original tribute, Dare to be Stupid.
How do these music videos qualify for Dancing Wednesday? Well, if you’d seen me while I was an undergrad at SUNY New Paltz, in the local New Wave club, you wouldn’t have to ask.
The group is probably best known for the song “Whip It” —
— but there are others that I consider to worth including in this list. They follow, in no particular order. If you’re just discovering their music for the first time, I hope you can appreciate the influence they brought to music, especially during New Wave, and beyond as well.
I’m in a Police/Sting kind of mood today. You get the benefits as a result. I like the first song, just because. It’s got a beat I can dance to. I give it an eight and a half.
The second song has that eerie “I know something you don’t know” sort of feel to it, on top of the minor key thing, and then there’s the whole story song thing. It hits me on multiple levels. Plus? Candles. Everywhere.